![]() ![]() ![]() High Dynamic Range (as opposed to what we’ll call Standard Dynamic Range) is a technological improvement in the way televisions and other devices display video. It’s an acronym you’ve probably been seeing a lot lately in media and entertainment articles. Post-production shops need to understand what these effects are and how best to adapt storage architectures to accommodate workflows involving HDR-compliant content. This standards competition has many repercussions on the media and entertainment industry. Multiple standards are competing to define just how the industry implements HDR. At the most non-technical level, HDR enables a richer, deeper, and brighter color range on exhibition devices such as televisions. As with all technical advances, the topic can get pretty complex pretty quickly. HDR stands for High Dynamic Range, and it’s become one of the hot buzzwords of late. As with all competition around competing standards, the industry has to struggle to keep up with these evolving and competing standards while taking advantage of the visual improvements that they facilitate. ![]() A growing number of competing standards for High Dynamic Range (HDR) enable increased signal information to reach these devices, allowing them to reach ever-greater depths of color and luminance. Technological advances have removed these barriers in large part. It’s Not Just a Black and White Issue for Post-Productionįor decades, televisions and other video exhibition devices have only been able to reach a certain level of color and depth of brightness (luminance). ![]()
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